Stanford Cheung is a pianist, poet, and sound artist from Toronto.
Praised by the Toronto Weekly as an artist of “charming sensitivity and whole-hearted intellect,” and by the Itoshima Inquirer for his “lushly refined tone,” Stanford Cheung maintains an active performing career as a recitalist and soloist across North America, the UK, Canada and Asia. A top prize winner at the San Jose International Piano Competition, the Steinway Piano Competition, and Canadian Music Competition, he has performed in numerous international venues including Carnegie Hall’s Zankel and Weill Hall in New York City, The Royal Ontario Museum and Living Arts Centre in Toronto, and The Kusatsu Performance Center in Tokyo. His recitals have been broadcast on OMNI and Fairchild Television. Among his notable engagements include opening the 44th season with the Mississauga Symphony as well as touring with the OCMS Philharmonic for two consecutive seasons.
He holds a Fellowship from the Trinity College of London, U.K as well as distinctions in three licentiate performance designations: LTCL, LRCM, LCCM from the Royal Conservatory of Music and Canada Conservatory of London. Among Stanford’s work with celebrated pedagogues Dang Thai Son, Christopher Hinterhuber, John O’Conor and Logan Skelton, have left a meaningful impact on him.
In addition to performing, Stanford also pursues an active career as a poet and sound artist, often using language to examine topics that deal with dystopian thought. He has collaborated on diverse multidisciplinary projects with a broad range of artists and musicians. These include artists Morgan Fisher, Marc di Saverio, Jim Johnstone, and Scott Hunter. His debut collection of poems “Structures from the Still” (Akinoga, 2018) was described by critic Marc di Saverio as “having a lyrical clarity and sage-like terseness that would make the Imagist Erza Pound himself, take full notice of this fully arrived poet.” Among his collaborative collections include “We Could be Anything” (Crevasse Books, 2019), “Comfort of Malice” (Inspiritus 2018) and “Any Seam or Needlework” (The Operating System, 2016). Among his future releases include “Demonstrator,” Stanford’s second full-length collection of poems forthcoming from Andata Express, 2020 as well as “SoliWar,” an album of experimental ambient music from Off-Records, Belgium 2021.
Born in Toronto, Stanford was raised in a family of musicians and began playing the piano at the age of five. Graduating with the highest honors from the Glen Gould School Pre-College Program and the University of Toronto, his mentors include renowned pedagogues Kum Sing Lee and Marietta Orlov. He later furthered his studies with Kyoko Hashimoto in Montreal where he received his Master’s in piano performance from McGill University’s Schulich School of Music. Presently, Stanford Cheung is pursuing his Doctorate degree at McGill University with a focus on the composer Ryuichi Sakamoto.